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I have a long green coat that looks a bit like this one, and I can tousle my hair and smoke and place my hands in pockets, but I’ll never look as cool as young Lambert Wilson… Speaking of which, how excited am I for Alain Resnais’s new film You Ain’t Seen Nothin’ Yet! (French title: Vous n’avez encore rien vu) starring Lambert Wilson and about 17,253 other talented French actors? Very.
firsttenthousand: Number 2640 6.3.12 Is it weird that when I look at this face, I can’t help but imagine the rest of it belonging to a young-ish Michael Caine? I mean, seriously.
esserelavittoria: “Ethay Indingsfay”
noonesnemesis: by Marc Lagrange
robotsarethebest: Rainer Werner Fassbinder by Helmut Newton Munich, 1980 I think it’s amazing how bloated, unhealthy, and yet still badass Fassbinder looks in this photo, and how it manages to look like a glossy fashion spread and an ad for a filthy chalet at the same time…
firsttenthousand: Number 2512 5.12.12
Who knew that dyeing the yearly Easter eggs (an odd tradition, since my family is nominally Jewish) could look so macabre and mysterious? My mother knew.
acoverover: da boss Angelo Badalamenti, film soundtrack composer and frequent David Lynch collaborator — notable also for playing the espresso-regurgitating mobster in Mulholland Drive. His musical aesthetic — tragic, sinister, nocturnal, somnolently erotic — is a key component of Lynch’s own (anti-)melodramatic project, and is instantly recognizable to anyone who has ever watched Mulholland Drive or Twin Peaks or Blue Velvet…
Douglas House (Harbor Springs, Michigan) Richard Meier completed 1973
Blow-Up [1966, Michelangelo Antonioni]
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