— Umberto Boccioni, ‘Futurist Painting: Technical Manifesto’ (1910)
(Source: dadsimons)
Tempered Elan
Wassily Kandinsky
1944
(Notably referenced in a lyric from Of Montreal’s “Art Snob Solutions.”)
Untitled
Roy Lichtenstein
1960
(Source: dadsimons)
Riptide
acrylic & collage on paper by Beth Hoeckel, 2011
(Source: 2headedsnake)
She looks like she only has one eye… (And an ugly ash-beard.)
(Source: ricebowls, via formerly-vaginawoolf)
And this is why bananas should only be sold in even-numbered bunches…
(Source: autoentropy)
Sandow Birk is an American visual artist who, among other things, has created a wondrous set of drawings and paintings updating Dante’s Divine Comedy to the modern age and setting it against the positively infernal/purgatorial/paradisiac landscapes/corner stores/vacant lots of California.
I first saw one of his works — a colossal painting of Purgatory as a teeming San Francisco hillside — while visiting an art gallery in middle school. Even though I wasn’t really familiar with Dante at the time, the painting stuck with me and years later I rediscovered Birk’s work while studying the Divine Comedy during my year abroad in Italy.
I strongly suggest checking out this guy’s website, where you can find lots of other interesting projects. One that I particularly like is “The Ninety-Nine Names of God” — done in collaboration with Elyse Pignolet — which shows the various airports involved in the 9/11 attacks, with the traditional names of God inscribed around the gates in elaborate calligraphy.
[Unfortunately, I don’t know which canto the above painting is meant to represent…]